Artwork confirmed as true Rembrandt despite 1960 denial, says Rijksmuseum
Researchers at the Rijksmuseum have confirmed that a previously overlooked 1633 painting, Vision of Zacharias in the Temple, is an authentic work by Rembrandt van Rijn. The painting, which has been on long-term loan from a private collector, will be on public display at the museum starting March 4.
The confirmation follows a two-year study using advanced imaging and materials analysis techniques, similar to those employed in the museum’s investigation of The Night Watch.
The painting depicts the biblical story of high priest Zacharias, capturing his surprise upon being told by the Archangel Gabriel that he and his wife would have a son, John the Baptist. The angel is not visible, but a light from the upper right corner indicates his presence.
Researchers examined the paints, layering, stylistic details, and compositional changes, all of which aligned with Rembrandt’s known works from the same period. Dendrochronology confirmed the wooden panel dates to 1633, and the signature was verified as original.
Previously, the painting had been excluded from Rembrandt’s oeuvre in 1960 and was privately held from 1961, remaining unseen by scholars until the current owner contacted the museum.
Museum director Taco Dibbits noted that the painting offers insight into Rembrandt’s early work shortly after he moved from Leiden to Amsterdam. Thematically, it aligns with other 1630s works such as Daniel and Cyrus Before the Idol Bel (J. Paul Getty Museum, Los Angeles), Simeon's Song of Praise (Mauritshuis, The Hague), and Jeremiah Lamenting the Destruction of Jerusalem (Rijksmuseum).
